Let me start out by
defining a few things:
Pantsers
These types of writers generally plan out very little before
diving into their novels. They might have some ideas, maybe a small outline,
but they feel free to take their story in any direction they please. The lack
of outlining and planning lends itself to untethered creativity.
Plotters
These types of writers usually have some sort of outline
that they follow while writing their novel. They spend some time planning and
rewriting their outlines and know what’s going to happen (to an extent).
Usually the novel is planned out before they begin writing it, which cuts out
the element of surprise for the writer and tends to reduce writer’s block.
There’s no right way to be, but personally I’m a plotter. I
probably plot too much. If you’re a
pantser and it’s working for you, keep doing it! More power to ya!
However, if you’re
looking to experiment with plotting or you just want to learn how to do it,
check out these tips below:
Where to Begin:
Skeleton Outline
If you’re looking for a little bit of direction, but don’t
feel like/find it necessary to build a huge outline, this is probably what you’re
going for. Create an outline that focuses around the main points of your story.
Detailed Outline
A detailed outline usually builds on what you did for the
skeleton outline. This adds more detail to the structure of your story and
helps focus on fleshing out what’s going to happen throughout the novel. I
usually add in some sections about my characters and any sort of world building
I might do.
Chapter-by-Chapter
Outline
This is literally when you plan out each chapter of your
novel. Some might find it unnecessary to get that detailed, but if you have
pacing problems or want to cut down on extensive editing, this might work best
for you.
How to:
Skeleton Outline
This is essentially the “road map” of your story. Figure out
what the conflict is and focus on the beginning, middle, and sometimes the end (a lot of writers aren’t
completely sure what their ending will be, but sometimes it helps to have to
planned out so you can effectively lead up to it in the story. It could also
help with tone issues. Example—if you ending is dark, you might want to set up
the audience for that).
For a skeleton outline it helps to focus on story arcs. For
example,
·
Stasis
·
Trigger
·
The Quest
·
Surprise
·
Critical Choice
·
Climax
·
Reversal
·
Resolution
Learn more about story arcs here: http://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/
Filling out those story points will help you build a more
detailed outline if you choose to do so and will help you focus your story, so
it’s not all over the place. If you want to have a clear idea where you’re
headed, but don’t want to bog yourself down with the details, a skeleton
outline might be best for you.
Detailed Outline
For a detailed outline, you basically just take your
skeleton outline and flesh it out. Add to each section of the story arc and
drop in more detail. Focus on what scenes will help you get across each main
story point.
For example:
Stasis – Amy lives
with her mother and her sister in a house that’s nearly falling apart. She’s
unhappy with her life and her family doesn’t treat her well.
This is Amy’s everyday life, but you can do more to plan it
out before jumping into writing. What’s Amy’s home life like? What does her
family do to treat her poorly? What scenes will you explore to show the
audience what’s going on.
Maybe Amy’s sister teases her or makes her do all the
chores. Maybe Amy’s mom often doesn’t come home or doesn’t take care of her
children. Explore these ideas and use them to flesh out your outline. Then, you’ll
have some idea what to write when the time comes, instead of just something
vague. This could also help you cut down on telling instead of showing.
Chapter-by-Chapter
Outline
This takes a lot of time, but from experience, it does help
cut down on the editing process, AND it helps you write a synopsis and query
letter when or if the time comes. I spent around a month writing my last
chapter-by-chapter outline, so I know exactly what I’m going to do when I start
writing. I prefer this because I know I won’t get stuck and I’ll be able to get
through the draft quickly. If you like to write fast, which I do because I like
to keep my excitement for my project up when I’m writing, a chapter-by-chapter
outline might work for you.
A chapter-by-chapter outline might be difficult for your
first time writing a novel because you might not know how long it should be or
what your strengths and weaknesses are as a writer. There’s no right answer for
how long a chapter-by-chapter outline should be because only you know how long
your chapters usually are or if you have any problems with word count (Is your
novel usually too long? Too short?).
Anyway, if you feel like you want to do a chapter-by-chapter
outline, I usually do something like this for each chapter:
Chapter 1:
Paragraph or more about what’s happening in the chapter.
Think about each chapter as its own tiny story. Each chapter should have a
beginning, middle, and end, and should lend itself to the overall story. Think
about what the purpose is for each chapter and what information you want to
convey to the reader.
Conflict (I tend
to write a sentence about what the conflict is in each chapter. If I can’t find
any, I know that’s a sign I need to rewrite that section of the outline. There
should always be conflict! There should always be something driving the plot
forward!)
I also suggest letting your chapter-by-chapter outline sit
for a week or so and editing it. I know that sounds like a lot of work, but
that will help your catch any plotting, pacing, or conflict problems BEFORE you
start writing. If you’re a planner, this will help tremendously.
Additional Notes:
Obviously, some people like editing. They feel that’s when
their story really comes together and they love that aspect of it. They like
tearing their story apart, starting over, and building something new. That’s
perfectly okay! You don’t need to have a detailed outline if that doesn’t work
for you.
The reason I focus on planning is because I can look at the
bigger picture before I start the draft. I have a clear focus and I know what’s
coming next.
Also, there are plenty
of ways to write an outline. How I do it isn’t necessarily right, it just works
for me. Experiment with it until you find something that makes you feel
comfortable.
What I’m really saying is:
There are no rules
for writing. Whatever feels right or whatever makes you happy is what you
should focus on. If you don’t want an outline, don’t write one. If you’ve been
having trouble with writer’s block or the editing process, maybe try it out!
Figure out what’s right for you!
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