Christmas is coming!

So I’ve decided I will open the ask box to receive 10 asks from a Christmas prompt list on

Wednesday November 22 @ 4:00 PM PST

I’ll post the list and the rules then!

Thank you all for your patience!

More Soul Eater AU ideas

So, again probably not unheard of, but what about this?

Midorima as meister with Aomine as his rifle and he’s the best shot from long distance? Like NEVER misses his target. And Aomine is almost always in weapon form so Midorima can carry him everywhere while he sleeps!

Kuroko is a meister assasin (ala Blackstar) but he’s actually effective because of his lack of presence but Kagami is the one who screws that up as his weapon by being too loud!

Akashi is meister to Murasakibara who is basically a giant pair of scissors whose blades can be separated and there are chains on the handles so he can be dual weilded then snapped back together.

Kise is weapon to Kasamatsu as the most beautiful sword and Kasa is always embarrassed because the girl meisters all ask to see him.

Ways to un-stick a stuck story

firemoon42:

  • Do an
    outline,
    whatever way works best.
    Get yourself out of the word soup and know where the story is headed.
  • Conflicts
    and obstacles.
    Hurt the protagonist, put things in their way, this keeps
    the story interesting. An easy journey makes the story boring and boring is
    hard to write.
  • Change
    the POV.
    Sometimes all it takes to untangle a knotted story is to look at
    it through different eyes, be it through the sidekick, the antagonist, a minor
    character, whatever.
  • Know the
    characters.
    You can’t write a story if the characters are strangers to you.
    Know their likes, dislikes, fears, and most importantly, their motivation. This makes the path clearer.
  • Fill in
    holes.
    Writing doesn’t have to be linear; you can always go back and fill in plotholes,
    and add content and context.
  • Have
    flashbacks,
    hallucinations, dream sequences or foreshadowing events. These
    stir the story up, deviations from the expected course add a feeling of urgency
    and uncertainty to the narrative.
  • Introduce
    a new mystery.
    If there’s something that just doesn’t add up, a big question mark, the story becomes more
    compelling. Beware: this can also cause you to sink further into the mire.
  • Take
    something from your protagonist.
    A weapon, asset, ally or loved one. Force
    him to operate without it, it can reinvigorate a stale story.
  • Twists
    and betrayal.
    Maybe someone isn’t who they say they are or the protagonist
    is betrayed by someone he thought he could trust. This can shake the story up
    and get it rolling again.
  • Secrets. If
    someone has a deep, dark secret that they’re forced to lie about, it’s a good
    way to stir up some fresh conflict. New lies to cover up the old ones, the
    secret being revealed, and all the resulting chaos.
  • Kill
    someone.
    Make a character death that is productive to the plot, but not “just because”. If done well, it affects
    all the characters, stirs up the story and gets it moving.
  • Ill-advised
    character actions.
    Tension is created when a character we love does
    something we hate. Identify the thing the readers don’t want to happen, then
    engineer it so it happens worse than they imagined.
  • Create cliff-hangers.
    Keep the readers’ attention by putting the characters into new problems and
    make them wait for you to write your way out of it. This challenge can really
    bring out your creativity.
  • Raise the
    stakes.
    Make the consequences of failure worse, make the journey harder.
    Suddenly the protagonist’s goal is more than he expected, or he has to make an
    important choice.
  • Make the
    hero active.
    You can’t always wait for external influences on the
    characters, sometimes you have to make the hero take actions himself. Not
    necessarily to be successful, but active
    and complicit in the narrative.
  • Different
    threat levels.
    Make the conflicts on a physical level (“I’m about to be
    killed by a demon”)
    , an emotional level (“But that demon was my true love”) and
    a philosophical level (“If I’m forced to kill my true love before they kill me,
    how can love ever succeed in the face of evil?”)
    .
  • Figure
    out an ending.
    If you know where the story is going to end, it helps get
    the ball rolling towards that end, even if it’s not the same ending that you
    actually end up writing.
  • What if?
    What if the hero kills the antagonist now, gets captured, or goes insane? When
    you write down different questions like these, the answer to how to continue the
    story will present itself.
  • Start
    fresh or skip ahead.
    Delete the last five thousand words and try again. It’s
    terrifying at first, but frees you up for a fresh start to find a proper path. Or
    you can skip the part that’s putting you on edge – forget about that fidgety
    crap, you can do it later – and write the next scene. Whatever was in-between
    will come with time.

More good advice

I’m kinda imagining Noya and Tanaka like Patricia and Elizabeth, both of them being weapons who kinda just go back and forth between each other. Bonus if Kiyoko is a meister and they’re constantly trying to get her to take them as her weapons lolol

vball-baes-bball-babes:

OMG Neon that’s perfect! How freaking hilarious is that? Except maybe Suga is her weapon (cause I think they get along really well) and Ennoshita is their meister (cause he can keep them in line most of the time) and he doesn’t get offended that they’re always bemoaning Suga having such a beautiful meister. And Daichi is Yui’s weapon, maybe like a spear or something, and the girls are getting paired to go on missions together.

Could you imagine Takeda as Lord Death?!! Like, he seems so mild mannered (where in SE he’s kinda goofy) but when crap hits the fan he totally becomes like this badass?

I had a bit of a scene pop in my head where Kageyama is of course this insanely talented meister but no one can match his soul resonance because he’s so intense. Then along comes Hinata as like, I don’t know, maybe a gun or something and he can match him even though they argue all the time. His big transformation would be from gun to that rocket launcher like in Daichi’s analogy 😂

Another scene where Asahi is a weapon, like a club or something, but he basically shattered in a fight because he was hit so many times a long time ago and his meister died and when they try to get him back because of a big baddie, he’s so scared of that happening again he can’t properly transform. There’s a whole story there in and of its self.

I thought of Keishin being like Mufine, this super talented fighter but he’s not a meister and he’s protecting Yachi when he’s asked to come teach. Of course he doesn’t want to at first.

So many options! Gah! It would be amazing if I could get it from my head to paper! 😆

Oh oh! And the Neighborhood Association could be some of the teachers!!

Could even age Tendou up to be a character similar to Dr. Stein, with Ushijima as his no nonsense weapon!

Yamaguchi could be a little like Crona in his hesitancy and no one wants to be his weapon because he’s perceived as weak but Tsukki protects him one time in a skirmish and he’s meister-less because he’s an ass so they pair up by default.

I’m kinda imagining Noya and Tanaka like Patricia and Elizabeth, both of them being weapons who kinda just go back and forth between each other. Bonus if Kiyoko is a meister and they’re constantly trying to get her to take them as her weapons lolol

OMG Neon that’s perfect! How freaking hilarious is that? Except maybe Suga is her weapon (cause I think they get along really well) and Ennoshita is their meister (cause he can keep them in line most of the time) and he doesn’t get offended that they’re always bemoaning Suga having such a beautiful meister. And Daichi is Yui’s weapon, maybe like a spear or something, and the girls are getting paired to go on missions together.

Could you imagine Takeda as Lord Death?!! Like, he seems so mild mannered (where in SE he’s kinda goofy) but when crap hits the fan he totally becomes like this badass?

I had a bit of a scene pop in my head where Kageyama is of course this insanely talented meister but no one can match his soul resonance because he’s so intense. Then along comes Hinata as like, I don’t know, maybe a gun or something and he can match him even though they argue all the time. His big transformation would be from gun to that rocket launcher like in Daichi’s analogy 😂

Another scene where Asahi is a weapon, like a club or something, but he basically shattered in a fight because he was hit so many times a long time ago and his meister died and when they try to get him back because of a big baddie, he’s so scared of that happening again he can’t properly transform. There’s a whole story there in and of its self.

I thought of Keishin being like Mufine, this super talented fighter but he’s not a meister and he’s protecting Yachi when he’s asked to come teach. Of course he doesn’t want to at first.

So many options! Gah! It would be amazing if I could get it from my head to paper! 😆

vball-baes-bball-babes:

vball-baes-bball-babes:

vball-baes-bball-babes:

Unoriginal idea but I’m curious

So, I just finished rewatching Soul Eater and it got me thinking….Haikyuu/KNB Soul Eater AU?

More specifically, who do you all think would be weapons and who would be meisters? What kind of weapons would they be? Who would be paired with who?

Share your thoughts! I’ve missed talking with you guys!

I’m going to be reblogging a lot because of that damn “best stuff first” crap. So apologies if I end up spamming ya’ll.

Anyone else wanna chat about this? 😁

Still looking to hear your ideas!